aratama 璞 in Genkosha’s AI Creators File 2026
aratama 璞 has been featured in “AI Creators File 2026,” a special section in AI Video Production Archives 2026, published by Genkosha and released on August 27, 2026.
“AI Creators File 2026” introduces 50 creators who use AI as a creative tool while developing distinctive artistic voices and producing high-quality visual work.
Each profile highlights the creator’s recent work, background, and contact information for professional inquiries.
The feature on aratama 璞 includes recent projects such as the AI audiovisual music video “UZUME — SIGNAL,” as well as generative AI creative production for the Google Search “AI Mode” TV commercial.
About AI Video Production Archives 2026
AI Video Production Archives 2026 brings together articles on generative AI video production previously featured in the monthly magazine VIDEO SALON, along with newly commissioned interviews and case studies.
The book provides a practical overview of current workflows, production techniques, and real-world applications in AI-driven filmmaking and video production. It is designed not only for creators exploring AI-assisted production, but also for companies and production professionals looking to work with AI video creators.
- Title: AI Video Production Archives 2026
- Release Date: August 27, 2026
- Format: B5
- Pages: 144
- Price: JPY 2,300 + tax
- Publisher: Genkosha Co., Ltd.
AI Creators File 2026
Included at the end of the book, “AI Creators File 2026” presents 50 creators who are incorporating AI into their practice while maintaining distinctive creative identities.
In addition to individual profiles, the section includes recent work and professional contact information, offering a broad view of the creators shaping the current landscape of AI video production.
With Thanks to Genkosha
We are sincerely grateful to have been selected as one of the creators featured in “AI Creators File 2026.”
As the field of AI video production continues to evolve rapidly, it is especially meaningful to see the work, practices, and individual creative approaches of today’s creators documented in a publication of this kind.
We will continue to explore AI not simply as a means of improving production efficiency, but as a creative technology for opening up new forms of perception and expression, while continuing to develop work across film, music, and live performance.
Our sincere thanks go to Genkosha, the editorial team at VIDEO SALON, and everyone involved in the production of this publication.
